It was an admirable dive, technically haphazard but stylish, like good slam verse, and confident, despite daunting conditions, including absence-of-a-swimming-pool. The diver who launched himself from the concrete median was not in olympic shape. In a formless black coat and boots, he crafted a smooth arc of surprising fluency (and at the top of this architectural wonder he was scribing with his body—is that the apogee?—he caught my eye with a look so direct it lashed me to the mast of my inadequacy like a judgment) but slammed headlong into the tangential but irrefutable momentum of my not theoretical car. He hadn’t stumbled; he had dived. He hit my car hard. What had I done? I had observed. Because, really, what truth is served by saying I hit him? My safe path was predetermined to collide with his suicidal one, is all. The inevitable occurred. It’s ironic. You spend your life gaming the language and one day you realize—all right, it rear-ends you—that your game is not the essential game. The court calls celebratory toasts intoxicants. Juvenile follies cluster into constellations cops call Priors. The sketch on the police report shows the intersection of our fates, but the district attorney is using bigger paper in all directions. Her diagram includes neighborhoods of my youth, a shot grouping of misdemeanors and minor felonies, and marginal warnings of mayhem should I return to the highways undeterred. I asked about character witnesses, but my lawyer says Forget it, nobody’s witnessed any character. She’s hilarious. Of course I don’t blame the diver; once he launched his body carward, only I had brakes. I failed to undo the future before it could happen. That’s on me. But I ask you, didn’t destiny make two victims when it suicided us both?
Copyright © January 04, 2007

8 comments
Comments feed for this article
January 4, 2007 at 11:48 am
caveblogem
I have a new favorite, david. Just pencil in my change at your Reader’s Choice page, would you?
“But the District Attorney uses bigger paper . . .”
Some great lines, great imagery, great.
Thanks, caveblogem. Change noted. And thanks for referring others to Reader’s Choice.
–David
January 4, 2007 at 5:19 pm
Anonymous
Vaguely depressing, but well-written.
Only vaguely?
–David
January 5, 2007 at 9:58 pm
eastcoastlife
Hi David!
Thanks for visiting my blog and commenting.
Wow! You write beautifully, I’m so embarrassed to even mention that I can write. Now I know what a good writer is. I love reading your short novels.
Excellent blog.
Thank you eastcoastlife, but there’s no need to disparage yourself here. Praising me is more than enough.
–David
January 7, 2007 at 2:35 am
Jo
Trippy wordsmithing in so many ways!
I wonder what your english teacher would say? XD
Thank you, Jo. I invite comments from English teachers everywhere.
–David
January 7, 2007 at 12:34 pm
litlove
I think you have a very tender spot for the plotting of chance, David. I think I often see in your stories a mediation on what the surrealists would call ‘le hasard objectif’, which managed to combine for them the improbable, the unconsciously desired and the inevitable. Do put me straight if I’m wrong, but it seems that objective chance provides the focal moment of your stories, and then they elaborate the web of coincidence and causality that created it.
Thank you, litlove. You help me understand myself.
–David
January 8, 2007 at 3:35 pm
G
Your use of language is in itself intoxicating. g
Thank you, G. I enjoy your poems as well.
–David
January 9, 2007 at 2:54 pm
mandarine
Probably my scariest thought when I drive a car. That’s why I generally don’t.
Anyone behind the wheel of a car is right to be terrified.
–David
January 12, 2007 at 10:19 am
Josh Motlong
I must agree with previous statements. Trippy wordsmithing, and intoxicating! Well written indeed.
Thanks, Josh, and welcome to Very Short Novels. Pull up a chair.
–David