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He shows his hands as bidden. Across each palm, and flecking the edges also of his bare soles, doily patterns of lesion and wart: the arsenic array. His hands outstretched toward the inspector, palms up, thumbs east and west, elbows extended from his deflated torso, his fingers cupped to receive whatever is freely given or falls from the sky, he doesn’t beg, he isn’t grateful, doesn’t wish or want, has no questions, gives from his poverty, can’t be helped. His cupped hands are as likely offering as asking. They seem empty, but in their lines they trace the journey of the king’s advisers to this desiccated village with its wells tapped deep into poison. The women are too weak to walk to clean water. The children wither inward from the fingertips and toes. In the land of flood and drought, too much water kills what too little water doesn’t. For the ancestors, pests that mutated in water that pooled when the floods receded took off the weak and weary. Longevity disfavored the thirsty. Then workers, sent by the king to tap the artesia, planted pumps within steps of the huts, so the villagers weaned themselves from the pools, and drank and bathed and boiled their grains with pump water whenever they wished. Now those wells are poison, too, and workers have painted the handles red but not dismantled the old pumps. Healthful water has been tapped a short walk away, to no avail. He denies the old well was better than the pond, and anyway wanting better is striving and striving is shameful. He was content to have no king, have no pump, to drink pond water, drink red water, or do without. If the well outside his door goes dry, he’ll cup his hands and accept the dew.

Original Copyright © 1997
Revised Copyright © February 15, 2026