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I once wept onto bound blank pages and called the result The Book of Tears. I strangled and drowned that soggy volume and titled it Mercy, but this actual knife, here in her daughter’s bed where it was planted by god-knows-who, tells a more urgent story than any on paper. Only a book with a pulse, a temperature, a heft for leverage, and a handle for wielding as a weapon could compete with a butcher’s blade lurking in the bed of a child I don’t dislike. She and her mother had just begun to feel safe after weeks of squatting on a wornout mattress in a corner of Auntie Panty’s studio between a noisy radiator and a litter box. Before that, they’d spent two nights fidgeting in a rented bed at an unaffordable local hotel. Before that, they’d come home from mercy errands to a home that had been their refuge. The bastards hadn’t stolen much, but they’d splintered the front door and run their bleeding hands over everything that was hers, then crapped in the hallway and turned her home against her. She politely informed the police, enlisted me in the reclamation, fled with her daughter to anyplace safe, and languished in exile while I cleaned up. We’re staring now at what stabbed her beneath the covers as she was putting her daughter into bed, as sinister as a turd on the floor but more pointed. I touch her lightly. What chance does language have to blunt such objects or sheathe them, and how can we live without intimacy when items out of place can make the world and not the objects seem so reckless? She extends her arms; I anticipate an embrace, but she’s showing me her wounds. She’s starting a sentence with Since you moved out

Original Copyright © March 08, 2007
Revised Copyright © March 12, 2026

They are prejudiced, the cabbies in town. Because the sun has risen every morning in memory, they expect it to dawn during this shift too, and to dawn again one minute earlier each day until the solstice, then later again each morning like the year before. They predict low wages. They anticipate dents and rattles and non-lethal automotive malfunctions and for their tips to be insufficient to ditch the business altogether to the younger hacks and spend their days fishing for trophy. And they don’t take dark-skinned fares uptown. They explain it this way:

Seven times I’ve seen a knife in this cab and two guns. Usually I just see it; it’s shown to me, or it’s deployed by someone to threaten someone else. But twice it’s used to injure or persuade me physically. Once I’m stabbed. Once a shot is fired through the windshield. Of the nine times, each time I’m the only native Caucasian in the car. So I have a policy. No dark fares after sundown, none uptown any time of day. It’s common sense. You judge from what you’ve seen, you act on what you know, you live to serve your sentence.

To confound this logic, a group of us, a very small but steadfast group, have been systematically stabbing cabbies. We dress well, carry umbrellas, and stand outside expensive hotels with a finger in the air. We kiss our dates goodbye and get inside. We introduce ourselves invariably as Mr. White, which most of them later recall. We entertain our driver with the same rap every time. We’ve been injured, we say, sometimes grievously, in multiple, near-fatal automobile accidents, but we can’t remember what color the cars were. Then we cut them, carefully, therapeutically, to alter the odds the only way we know how.

Copyright ©1997

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Behind the Pseudonym

The pen name davidbdale honors my mother Beatrice (Bea) and my father Dale

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