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When I was going-on-six we nearly blew up the railroad station. By my birthday, we’d managed it. I only know because it’s gone. The rest, including these scars, is fog in the attic. Back then we got explosives easier than rum. The ten-year-olds figured out how to render the volatile agent from unexploded land mines in boiling water and pack it into cakes they could ignite with an improvised fuse, knowledge I had to earn with heroics. That I remember like a verse. A stand of birch trees loomed like soldiers to our West. We chopped them down with submachine guns cleaner than chainsaws. The woods we defended were chunky with abandoned munitions. Once gathered and sorted, to keep them from rivals, we stowed them under floorboards in a shed outside barracks that were once a country church. We’d meet after school, grab arms, wrestle with their rusty actions, and hike down to the tracks. Grenades were for kids with all their fingers, but I had my own Uzi and a Colt sidearm nobody else wanted with plenty of bullets. If we’d been school shooters, the mothers would have wailed about who armed the killer instead of where he got his motivation. We played with the toys we were given. For the freight station exercise, the older boys set blast cakes beneath the stationmaster’s desk and laid a powder trail as a fuse. They wouldn’t let me see. Survivors say I took it badly, that I fired into the treetops, that something crashed through the branches, that it thudded onto the roof. They wouldn’t let me see. Next they say I threw my pistol to the ground, a round discharged, another thud. Again I demanded to see. But then the blast. Then here. Then now. Wherever whenever this is.

Original Copyright © February 13, 2007
Revised Copyright © February 07, 2026

Michael’s face was red. “OK, then, gun to your head,” he demanded, “what’s the best Christmas movie?” Though his tone suggested he might actually have put something to my head, he hadn’t. Well, first, I told him, with a gun to my head I wouldn’t be able to concentrate on movies; second, the category’s too broad: Christmas comedy? Christmas love story? Is Die Hard a Christmas movie for taking place on Christmas? “Completely irrelevant,” he said. “Best is best. But anyway, it’s a trick question. They all suck because they all lie.” I knew better than to take the bait but I told him anyway that all movies lie. “Well, I know actors wear makeup and play make-believe,” he told me, “but they do that to tell a truth; Christmas movies lie to lie.” He put his mug down hard as if he wanted to tenderize the coaster. Glasses clinked down the bar. He’d been pounding me the same way since we sat down, which was common, but his red face was not. He cared about this. I watched his eyes and waited. A string of lights twinkled behind his head. “You think Santa Claus is universal,” he told me,“and that finding out he’s your parents is a primal disillusionment. That’s Hollywood bullshit. Kids have dads who bring out guns on Christmas Eve and put them to their children’s heads one by one,” he said. That can’t be right, I told him. “One by one and pulled the trigger,” he told me, “year in and year out, and made them wonder if one year there’d be bullets. Why have I never seen that in a movie?” I waited until he was finished. Why are you telling me this, Michael? I asked him. What the hell are you telling me?

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This work by davidbdale is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Based on a work at davidbdale.wordpress.com.

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Behind the Pseudonym

The pen name davidbdale honors my mother Beatrice (Bea) and my father Dale

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