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Every day the world offers up the same secret: it’s not what we think it is; we’re not who we think we are. We’ve been distracted, acquiring and angling the furniture with its one good side to the audience, assembling a supporting cast, practicing lines, cueing the flattering lights. Heartened by rave reviews written by us, read by us, challenged by no one because shared with no one, we rehearse ever stronger entrances, exit only when dead, if then. The corpse in the right light can instruct. Stinking it stays at center stage basking, peripherally rotting, insisting on relevance, taking its bow. I sit in a car at an intersection of time and desire but also at a meeting of two roads insignificant to anyone but me and give them meaning but only to me. If the world ends today, and it will, this crossing will have existed in vain except for me. Even the girls who years ago passed on the sidewalk in the brisk breeze that blew up their skirts will not know its significance. I meant to offer something positive. A consciousness we call human, which has grown by killing rivals, makes something like sense to us of phenomena that persist whether interpreted or not. The world doesn’t need us. We don’t need it except to escape irrelevance. Every other living thing lives without the meaning we insist every living thing needs. The sun ignores us, but it torches the tops of the sycamore leaves that turn expectant faces in its direction, and only I, alone at the stop sign, sense the unseen from the seen. Half the leaves—the half not shaded by others—brighten through. And that’s all it takes. A place. The sun. My noticing. A memory. And all becomes unspeakably, regrettably dear.

This precious house—my house!—this room, these walls, this bed, are all familiar, but I’m not. I’m the stranger who makes everyone uncomfortable. Three months in the hospital and a precisely but savagely excised brain have tweaked my personality the way a potion tweaked Jeckyll into Hyde. I’m clothed in the same skin as my healthy former self and fit the same clothes, but I’m no fit for this place, my house, not yet. I eat, I breathe, digest, pass food, none of them without help, none without humiliation. Whatever I used to be proud of, . . . . My wife resembles her photos by the bed except in the eyes, which used to say For better! and which now wonder, Could this get worse? But she’s the same. My children too. They enter the room like scolded pets and finger the bedclothes and stare at the muted TV, not at their dad. They tell me what I want to hear: I’ve turned them into liars. Except for giving in, or giving up, there’s no remedy for outliving an illness. But Melissa didn’t know me as I was. She sees what is. She knows just what to make of clients like me and forgives me. The intimacies she performs are out of reach for those who have always loved me, services that would break their hearts. The genius of Melissa is to make my care appear like washing the dishes. She doesn’t love me, I think, except in that way that good souls think pain is noble and rage is prayer, which is to say, she loves the trouble I’m taking to get back to my self. And with her help, if I survive, I’ll own this house again and be the parent and husband I was.

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299-WORD NOVELS

Character, conflict, emotional impact. And sentences! Everything you want in a novel, without one extra syllable.

Behind the Pseudonym

The pen name davidbdale honors my mother Beatrice (Bea) and my father Dale

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