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This is an easy one. What’s better: the date you plan and dress for, for which you make and confirm and reconfirm dinner reservations; the meal at the restaurant you’ve never been to and aren’t sure you’ll like, or he’ll like, but which you’ve been assured by women who don’t know him but who know men like him is the right choice for the guy you’ve staked out; the show you think your date would choose, based on what little you’ve been able to glean from the few small facts at your command plus considerable conjecture? Or the accidental thrill of a chance encounter with a friendly face through a revolving door at the airport one moment before your plane takes off toward a place you know only too well. For the guy it’s the encounter; for the girl it’s the plan.

What’s better? The masterpiece on tour, impeccably curated and catalogued for art-historical significance, deconstructed, virtually invisible, available only by appointment? Or a bold curve drawn in the dirt with the point of a shovel by a landscaper with a certain facility. The 6-piece playground kit, its corners sanded, planted in the park in its box of chips, its thick irresistible primary colors engineered by play scientists? Or a tree that’s fallen into the pond, whose trunk makes a bridge, whose roots still smell of lightning strike and anthills. For the kids it’s the treefall; for their dads it’s the treefall, too; the moms are still thinking about that date.

Maybe we could take in a museum, they think, and not look at paintings, just the frames. Or the window frames. Or out the windows. How is that different from staying home together and staring out the window? For one thing, he won’t encounter anyone else at home.

Copyright ©1997

Yes, I want fresh water, and a tongue I can arch to chase the water down, and thumbs I can stick in my ears, and fingers I can wiggle to praise the almighty, and hands I can ball into fists I can slam to the tray when you don’t hurry back with the water you promised. You stop to talk, because you can, to Nobody, about Nothing, while I wait and dangle my Big Bird glass at you across the ward, with its tepid splash, warm, slimy, barely wet. You apologize with your eyes. My eyes forgive you. My eyes say Keep the water, bring me legs I can kick and feet I can aim and I’ll open the walls, burst the plumbing, flood the ward, capsize the chairs and float the residents out to the street with their pointing-rods and their pill bottles bobbing like fishing tackle. I’m in here, you know. They run their tests on me and read their meters and tell you I don’t understand because they think you want them to, but when they go, I lock your eyes in mine and tell you what you can’t deny. I don’t forgive you then. I lock you in my hopeless longing and beg. I make you laugh. I bellow my noises and flail my chicken wing arms. I make you laugh until you cry. You confess to me then and always have. What makes you think your secrets are safe with voiceless me? Nothing is safe with me. I tell everyone everything. Admit you know I’m in here, that’s my price. Wheel me out of here and I’ll live on pity and make the world feel good for it. Wheel me out of here once and for all and I’ll keep all your secrets forever.

Copyright ©1997

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Behind the Pseudonym

The pen name davidbdale honors my mother Beatrice (Bea) and my father Dale

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